They share a moment of solidarity in the department store where recently they would not have been allowed to enter, let alone exist as patron and seller. He extends his hand for her to spray, smiling while he breathes in the luxury fragrance. Silently, he grips her wrist in a display of ownership – mimicking that of slavery, when white people did claim ownership of Black bodies, before releasing her and walking away.Ĭountering this scene, we see what happens when a ‘Black cat’ approaches. Her discomfort is written all over her face, tinged with fear. Tish, portrayed in a luminescent tour de force performance by 19-year-old newcomer Kiki Layne, is visibly uncomfortable but cannot recoil: not only is it her job, but this is early 1970s New York, where the Civil Rights Movement is over yet legalized racism remains right around the corner. A white man approaches and wordlessly grabs her hand instead, bringing it to his nose and lips where he sniffs her skin intimately. Her job is not one typically given to ‘Negro’ girls, but this store considers itself progressive, and so she is allowed to offer the newest fragrance by spraying it on the back of the hands of passers by. Tish, the protagonist and narrator of the story, is working behind a perfume counter at a department store. There is a scene in Barry Jenkins film adaptation of If Beale Street Could Talk, a novel by visionary James Baldwin, that details American racism without a word.
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